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“Some might find Remitz a little too eager to shock her audiences, but as mentioned in the introduction, the strongest criticism you can level at Bright White Trims is it takes on too much for its own good. Listeners thankfully hear reflections of this phenomenon in the album’s musical energy and her vocals, but the dizzying creative designed to impress us all sometimes seems restless and overexerted. There’s no question, however, that this is a fine follow-up statement, if not among the finest from this genre in 2015, and positions Remitz ideally for the future.”